> > ... > > The Arches print, by technical standards shared by many > photographers, > > would not be considered "good", yet is has a beauty that 1/3 of the > > people responded to... > > Clayton, a very interesting and telling experience. I've played > with Arches a bit but did not > take it very far. But it was obvious to me that there was something > there, something > unique that the right imagery could exploit. I bought a big piece of Arches paper once, and was surprised at how thick and stiff it was. And I had to cut off the deckled edges, which was too bad, just to get it into my 1160, which I was using at the time, I think with Generations (wished I'd just stayed with that combo, sometimes!). The paper was so stiff that the printer could barely thread it. But I managed to profile it, and make a nice print on it of a flowers/vase still life. That print lives on a music stand in one of my rooms, and whenever I look at it, I think how nice it is, that there's something to it. So I'm glad to hear of someone else mentioning this paper, because few seem to be investigating it. Most seem to print on Somerset Velvet, if they use an uncoated paper. I have no idea how it measures up in terms of d max or anything, but I know that I made a print on it that has a nice quality to it. James
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Re: [Digital BW] Re: Will we be obsolete? More...
2005-06-28 by James Irelan
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