Digital BW, The Print

I'll have to try the Satin...like you say, Moab's got a great lineup.

I came across a shootout test of glossy papers in Photoshop User
Magazine: Kokopelli Gloss was the champ, Vs a half dozen others. So I
orered some..I wouldn't ordinarily want glossy paper ... QTR warm
blend does a nice job of differently-colored selenium tone effect. The
slight bronze is almost a positive. It's less attractive than matte
(eg EEM) in color, IMO. 

-- In DigitalBlackandWhiteThePrint@yahoogroups.com, Elwood Spedden
<elwood@w...> wrote:
> Moab papers, in general, are my favorites and I agree
> with the comment about Entrada Natural. However they
> also have an Entrada Bright White which is great for
> certain images and particularly BO. Their Kokopelli
> Gloss is my current favorite of all the gloss papers
> and the Kokopelli Photo Satin is up there with Ilford
> Satin. Altogether a very fine lineup
> 
> woody
> 
> --- guy washburn <guido02474@y...> wrote:
> 
> 
> ---------------------------------
> Actually Entrada is made by Moab.
> 
> Guy
> 
> --- Djon <westsidemaurice@y...> wrote:
> 
> > My favorite paper for people pictures and anything
> > else that's not
> > harsh and moderne is Epson Entrada Natural. It's not
> > whitened, warm
> > white...like Kodak's excellent but little-known
> > high-silver portrait
> > papers. 
> > 
> > I use the heavy stuff, 300gsm, though I'm having my
> > first
> > print-jamming experience on my 2200 after two years,
> > presumably having
> > something to with the temperature (80deg indoors).
> > 300gsm in 13X19
> > prints quite nicely from the top slot, but only if
> > it's physically
> > curved a very little in advance to reduce its
> > stiffness. Entrada has
> > been blamed for "flaking," but that was evidently a
> > matter of some
> > early lots that weren't dusted well before
> > packaging...I always blow
> > air on each sheet for that reason and only saw
> > "flaking" before I
> > started that.
> > 
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com,
> > Elwood Spedden
> > <elwood@w...> wrote:
> > > One more thing. Paul Roark's material is available
> > at
> > > http://www.PaulRoark.com. He also provides links
> > to
> > > the MIS site for purchase of inks if you decide to
> > try
> > > that route.
> > > 
> > > woody
> > > 
> > > --- wittenstein2001 <onedogwoof@n...> wrote:
> > > 
> > > 
> > > ---------------------------------
> > > Hi
> > > Am a newcomer to this group and to digital
> > printing. 
> > > Own an Epson 4000 on OSX.  
> > > 
> > > I want to make a print that has an antique/warm
> > tone. 
> > > Is there an equivalent to what 
> > > darkroom papers would produce.  I notice that
> > Inkpress
> > > claims to have such a paper. Or is 
> > > this warm tone best produced in Photoshop using
> > > filters, duotones?
> > > 
> > > Any help appreciated.
> > > 
> > > Barry
> > > 
> > > 
> > > 
> > 
> > 
> > 
> 
> 
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