The current issue has a print by Stu Levy from his featured portfolio which is beautiful. He gives, along with Don Kirby, a yearly workshop at Shore Acres in Oregon which is well worth the fee. My wife and I have both taken it. I've mentioned it before that Lenswork now puts out a subscription CD called Lenswork Extended thatgreatly expands the number of images in that months' portfolios and they really glow on the monitor! try it , you'll love it. Ian Message: 7 Date: Mon, 25 Jul 2005 21:29:35 -0700 From: "Steve Bye" <steve_bye@...> Subject: RE: Matching the tone of lenswork magazine? LensWork is printed with a very high resolution stochastic screen using duotone inks. They explain it in the back of the magazine, and may have more info on their website. It seems ridiculous to say but the images LensWork are as good as or better than many silver gelatin prints I've seen. The latest cover art for LensWork #59 is one of their best. If you are not familiar with this magazine, you should check it out. It is almost entirely B&W. While it is heavily dominated by silver gelatin, there is a small amount of inkjet stuff. [Non-text portions of this message have been removed]
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Matching the tone of Lenswork magazine
2005-07-26 by photoian@comcast.net
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