Yea John but if we altered it to Giotto Di Inchiostro that would give us Renaissance connotations. Such as: The Giotto's influence on Florentine painting stemmed from his ability to bring a sense of three-dimensionality to his works. The generation of painters which came after was overwelmingly influenced by this approach to painting. REFERENCES Gowing, L. (1987) Paintings in the Louvre. New York, U.S.A.: Stewart, Tabor & Chang. Buy this book from Amazon.com Laclotte, M. and Cuzin, J-P. (1993) The Louvre: European Paintings. London: Scala Publications Ltd. Piper, D. (1981). The Dictionary of Painting & Sculpture, Art & Artists, Painters & Sculptors, Terms & Techniques. London: Mitchell Beazley Publishers. Roettgen, S (1996) Italian Frescoes: The Early Renaissance (1400 - 1470). New York, U.S.A.: Abbeyville Press. I don't know I'm still leaning toward Latin. -
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[Digital BW] Re: Bill Brandt "carbon prints" Los Angeles
2005-07-26 by john dean
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