--- In DigitalBlackandWhiteThePrint@y..., Dan Culbertson <danculb@b...> wrote: snip > Well - with small patches made for density measurement there was no bleeding > at 300% but when I translated that into an image the larger area of ink > covered paper moistened it to an extent that it printed like -- well like > watercolor paper. I ran into this problem too. I get a better idea of possible max % by putting my test patch on a background of 100% of the lightest ink (assuming the given paper will take 100% without bleed) or some other smaller percentage combo. Took a while to figure that one out. snip ...Arches Brite White Hot press still > looks hopeful but I think a paper with a heavier gelatin coating will be the > winner. > Have you printed anything that has large areas of relatively smooth middle tones? I'm curious about the unevenness I ran into with the cold press, which I think was uneven sizing. Allen had some ideas about it too, it sounds like less than strenuous manufactering tolerances. Fine for the paper's intended purpose, not for inkjet. Tyler
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Re: Spectratones and Arches Brite White Hot Press
2001-08-12 by Tyler Boley
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