Hello Gary, I understand what you're saying but I think you missed the point on all counts. >1. I don't see the value of looking at prints through a loupe. Seeing dots with the loupe was irrelevent to the main point I was making, that color inks are used to do the toning. My mention of seeing the C and M dots with the loupe was simply to underscore that fact. You got caught up on a triviality and missed the main point. >2.I have been to the photo library at the University of Arizona >and looked at prints of many photographers considered to be the >Grand Masters of B/W printing. The tones of their prints are all >over the place, cool, warm, neutral, sepia and many that I can't >even describe. You missed the point again. The fact that I was using a supposedly neutral print was irrelevent. I could have made all the same observations by trying a sepia print. The point is that color inks are used to do the toning and it shows. You can't take brown and magenta and cyan and yellow and make something that really looks like sepia. You can only try to fool the eye into thinking it's seeing sepia. >The whole point is, that the variations seem to be >appropriate for the subject matter. Do you honestly think I don't know that? >It would be a pretty dull afternoon looking only at neutral prints >printed BO (even with great Dmax). If you had read some of the many discussions about BO in this forum over the past several years, or read my articles about it, or (heaven forbid) actually tried Eboni BO yourself on different papers, you would know that all BO prints are not neutral. They are all over the map from cold to extremely warm depending on what paper is used. That's one of the things people who use it love about it. We can choose a tone that best suits the image. We can have a whole range of tones from stone cold to very warm, without any color inks involved. No subtle magenta-ish or bluegreen-ish things floating around in there. On a cold tone paper like Kayenta the blacks look black, not brown with C and M mixed in. Once you get used to that, seeing colors isn't very convincing or satisfying. That's all I was trying to say. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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[Digital BW] Re: Ultratone vs. Epson K3 Inks
2005-07-30 by Clayton Jones
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