Digital BW, The Print

The 1160 does not need the FS-Y (lightest) ink to be smooth.  FS-M is
sufficient.  So, I'd go with option #3.  

Note that the 1160 variable-tone curves are based on using a toner in the Y
spot.  The M spot then has a light ink that is about half way between the FS
Y and M inks.  In the variable tone inksets, this light gray is pure carbon,
so you might not want to use it.  The variable-tone warm curve, that cuts
out the toner, will give you an idea of what a curve that just uses 3 inks
would look like.

Paul
www.PaulRoark.com 


> -----Original Message-----
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Peter
> Marquis-Kyle
> Sent: Friday, August 12, 2005 2:38 AM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: [Digital BW] What to do with a partially disabled 1160
> 
> I have a 1160 that has come back from my local Epson technician with the
> news that the magenta head is, indeed, hopelessly blocked. I also have a
> bunch of spongeless carts, bottles of MIS UT-quad inks, and QuadToneRIP.
> 
> I still want to make prints. I'd appreciate your comments on what I
> should do. So far, I have thought of these options:
> 
> 1
> Have the print head replaced. This is likely to cost as much as the
> printer is worth, and I'm not inclined to do that...
> 
> 2
> Just load the eboni K and enjoy the BO experience. An easy option...
> 
> 3
> Load the M ink in the Y chamber of the carts. Make a new QTR curve based
> on the UT-EEnhMatte-warm curve, but with the M ink curve assigned to the
> Y channel. I don't know exactly how to do this, but I guess it should
> not be beyond me, though the results are too warm for my taste. This
> seems like a bit of farting around, for a result I don't really want...
> 
> 4
> Give up...
> 
> Your comments please, or other suggestions?
> 
> Peter Marquis-Kyle
> www.marquis-kyle.com.au
> 
> 
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