I used Type 55 for a while, and have seriously considered using it again. Some factors that have stopped me, so far, include that 55 has become rather expensive on a per-shot basis (but cheaper than a darkroom or 22 mp large sensor), it is not that easy to get a perfectly even "pull" when developing the film, and the film does not lay very flat in those holders. Additionally, the flatbed scanners that we usually consider (i.e., the affordable ones like Epson's) are at best half as "efficient" (sharp) as good, dedicated film scanners, which are much less efficient than digital cameras in terms of image quality per pixel. What all this means is that for a given sharpness level on the print, the pixel count of a flatbed-scanned negative has to be many times the size of a good film scanner file, which, in turn, has to be much larger than a direct digital camera image. I, personally, much prefer to deal with smaller (more "efficient") files. The alternative of a better 4x5 scanner might get expensive, and I, frankly, don't know how much more one can pull from a Type 55 over what the best current Epson flatbed can record. I have not explored that issue very far. I would be curious if there is any non-drum option for getting a 4x5 scan that is as sharp as a 4000 dpi medium format scan from a good film scanner. I have no doubt that a Type 55 scan on a "good" flatbed will be much less grainy than a 100 ISO medium format scan, but I'm not sure the sharpness will be equal. (I again lament the demise of Tech Pan.) However, for those without a darkroom (which could be my future in five years given local real estate prices), it may be the best way to really beautiful, very large prints. It's a very intriguing possibility. Paul www.PaulRoark.com > -----Original Message----- > From: DigitalBlackandWhiteThePrint@yahoogroups.com > [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Martin > Wesley > Sent: Monday, August 29, 2005 5:28 AM > To: DigitalBlackandWhiteThePrint@yahoogroups.com > Subject: RE: [Digital BW] Re: LF Workshops? was > > The process of shooting, developing and flatbed scanning Polaroid 55 film > for digital B&W printing was described in depth by George de Wolfe in View > Camera magazine in 2001(?). The back issues would be worth finding for > anyone considering this procedure. http://www.viewcamera.com/ > > George and others have done some beautiful work with this. > > Martin > > -----Original Message----- > From: DigitalBlackandWhiteThePrint@yahoogroups.com > [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of skipc52 > Sent: Sunday, August 28, 2005 6:09 PM > To: DigitalBlackandWhiteThePrint@yahoogroups.com > Subject: [Digital BW] Re: LF Workshops? was > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Scott McLoughlin > <scott@a...> wrote: <snip> > > >I'd likely dev the negs myself, and then scan the negs on a 4990 > flatbed > > (not too pricey) and digi-print from there. No room for a wet > darkroom. Scott > > Try Polaroid Type 55 film on a 4x5 LF. Shoot for either a neg > orprint-not both-and > scan on a flatbed scanner for b/w digital printing without a > darkroom. Groovyborders if you > so choose...skip > > > > > > > > Please visit the Group Homepage to check the Files, and other resources as > they are often being updated. > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > If you wish to receive no emails or just a daily digest, or you wish to > unsubscribe, please edit your Membership preferences by visiting this same > page. > > Please follow these basic guidelines: > - As threads develop, trim off excess portions of earlier messages to keep > them short. > - Good manners are required at all time. No personal attacks or flames. > Hostile, aggressive or argumentative users may be removed from the > membership without notice. > - Keep your posts and threads related to the group topic of digital B&W > printing. 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Message
Type 55 film (was LF Workshops?)
2005-08-29 by Paul Roark
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