Digital BW, The Print

Hi Bruce

I must admit using a dedicated B/W would be my first choice and with your
advice maybe the only route, that's why I signed up in the first place as my
main business is colour I really should seriously think on two separate
workflows.

William
  -----Original Message-----
  From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of
hogarth@...
  Sent: 20 September 2005 16:10
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: Re: [Digital BW] Re: B/W on the 9600


  William Wilson wrote:

  > inks are genuine Epson Utrachromes.
  >
  > William

  That, may be your problem.

  If you want the best B&W you can get, you aren't going to get it using
  color inks. You'll get better results from a dedicated B&W inkset, such
  as the MIS UT-7 (if you want a variable tone inkset) or the Piezotone K7
  (if you want a fixed tone inkset). Either one of these should give you
  better shadow detail, which seems to be what you are after.

  Be aware that if you are going to really push it, you need the tools to
  help you. In this case, you really should be using a RIP like
  StudioPrint which lets you linearize your particular
  printer/ink/substrate and can handle quad-sets, hex-sets, and hep-sets
  (StudioPrint either already supports hep-sets, or is about to).
  Alternatively, you could try QTR which is reported to be excellent also.

  You wouldn't expect excellent B&W printing to ilfochrome; you shouldn't
  expect any better results printing B&W with UltraChromes.
  --
  Bruce Watson



















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