Hello Rgoldman2, Thanks for a good overview and for including mention of my articles. I am disturbed by one thing, however, and that is you make a "guess" at something and then infer that a technique produces lower quality prints based on that guess. I refer specifically to this, referring >to the 2400 workflow article: >"I guess is that these prints look very good but lack a certain >richness or depth. But you, as do many others, my find the >look quite pleasing." It really would be more helpful to forum readers only to post things based on actual experience. My own experience is that these prints have exceptionally good richness and depth, in fact, they are as good or better than I've seen from any system that uses all the color inks to make BW. Since you have a 4800, how about trying this workflow next time you use MK on matte paper and then report your results. >Jones until recently was using the black only printing technique >on the 2200 (see below), but he seems now to be using the full >Epson ink set on his 2400 without a third party rip (see message >68027 and his website). Actually I still use BO along with the 2400 for full ink prints. For prints that work well with it, Eboni BO prints have a beautiful glow and intensity that, IMO, can't be beat by any full ink system I've seen yet. But it's also true that some images don't work well with BO, and all along I've been experimenting with various multi-ink aproaches for those, the most recent up until the 2440 being UT7 and some variants. My general approach is to work up proofs in BO, and if it's one of those that doesn't work well then I switch to the 2400. >My own view is that the 2400 is a better printer (a really good >printer) compared with the 2200 for making black and white prints, Agreed. My respect for the 2400 continues to grow. It's really a beautifully engineered machine (and I'm sure that includes all the models) and huge development in the industry. As someone else said the other day, it's the first OEM out of the box solution for good BW. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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Re: Search for the Holy Grail - The Perfect B&W Print - Can It Be Made on a Comp
2005-10-08 by Clayton Jones
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