They are not clipped on your monitor. Adobe CMM maps to the monitor black
point and performs BPC. Again, to get from a big gamut to a smaller one you
must either compress or clip. Absolute colormetric clips.
Relcol/perceptual with BPC does not. Without BPC it would. Check your PS
color settings - although I think I heard once that these settings do not
affect PCS to display conversions which are always set to relcol and bpc.
> From: wwodets <odets@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Thu, 20 Oct 2005 17:39:07 -0000
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: Re: [Digital BW] ICC v. Transfer Function in Epson driver
>
> Because of Paul's concerns I printed out two targets yesterday
> (drying you know) of a linear 51 step target on HPR, one unmanaged,
> the other through the ICC profile I created for the paper. Both,
> however, were printed through the ABW driver ("neutral"). I'll have
> time later today to read the 94-100 patches and I'll post the numbers.
>
> As for matching the monitor, isn't that the whole thing? If the
> blacks are clipped on the monitor, you open them up in PS. My Sony
> LCD clearly shows separation in the 90-100 area, calibrated to 2.2
> and 5K and with a luminance level of only 40 cdm2.Message
Re: [Digital BW] ICC v. Transfer Function in Epson driver
2005-10-20 by Steve Kale
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