Digital BW, The Print

You might search for the Douglas meeuwsen discussion of duplicating the
lenswork style.  It went something like this:

Yup...after doing this all day today, and looking thru the book, and
comparing my prints, I found that my 40/40 did not match all of the
prints. I worked it out to three grades of warm, but all three have the
same shadow and highlight slider positions.
My neutral warm is v=10 H=10
medium warm is 20/20
and very warm is 40/40
my neutral is 3/3 with sliders in the middle
my guess is that I will think these are too exaggerated tomorrow. 20/20
might be a good match for lensworks most warm, and 10/10 might be a
good medium, and my neutral might be just a tad warm at 3/3.
the difference between 2/2 and 4/4 is noticable. About the same diff as
20/20 and 40/40

Best regards,
John Moody

-----Original Message-----
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of Steve Kale
Sent: Tuesday, November 01, 2005 4:35 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Epson Adv B&W - Tint Picker

Hi All

I need some help.  I having trouble thinking in CMY(K) terms.  I'm after a
strong "chocolate"
hue.

Firstly, I am puzzled as to why Epson put the R and G where they did.  You'd
think it would
make more sense to have the R at (53H,53V) and the G at (-53,53) (and
applied a similar
logic to C and M).  Then you'd have some bearings as to RGB or CMY(K).  (A
more towards red
would be +H and +V where H=V etc.)

(10,10) seems close but no cigar.  I feel like I am chasing my tale and
printing a ton of step
wedges.  Any ideas/pointers?

Steve





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