Clayton, Thanks for the review. I just finished my first curve for MuseoMax. I had an extremely hard time with it. It has a distinct and abrupt change in the slope of density vs. ink load for all inks, not something I'm used to dealing with. I can see why it blocks up with the epson driver settings. After a ridiculous number of step wedges, I now have what I think is a near optimum result for the UT7+FS-Y inkset that I'm currently using in the R200. Dmax is 1.674, and all steps are clean and distinct before linearization. The black has a great fill, no paper showing at all, very rich, yet still quite sharp and detailed for a matte paper. I'm looking forward to printing a real image tomorrow to see how it looks. It is as sensitive to contamination as they say, I am using anti- static gloves to handle it while cutting to fit the desktop printer. One light touch, and it leaves a distinct fingerprint in the image. Best regards, John Moody --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Clayton Jones" <cj@c...> wrote: > > Hello All, > > I got some Museo Max samples in today and have just completed a review > and posted it in the "Great Paper Chase" article, #5 at the link below. > > Regards, > Clayton > > > Info on black and white digital printing at > http://www.cjcom.net/digiprnarts.htm >
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Re: Museo Max Review
2005-11-10 by John M.
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