Tony that was my question - how to get PS's duotone to match hue. I can see in concept that it would work but can't get it down in practice short of an enormous amount of fiddling and guess work. Is there a more regimented/precise way to go about matching the hue or is it really a case of a lot of fiddling? > From: Tony Riley <listsubs@...> > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Date: Fri, 11 Nov 2005 09:18:34 -0000 > To: <digitalblackandwhitetheprint@yahoogroups.com> > Subject: Re: [Digital BW] Re: Duotones > > Can you try and explain the problem a little more clearly Steve? > Whats wrong with using the Photoshop Duotone (tritone/quadtone whatever) to > develop such a file? > Alternatively you could use the Hue and Saturation 'colorize' route? > > TonyR > > On 11/11/2005 09:12:15, Steve Kale (stevekale@...) wrote: >> I'll give this a try but wouldn't it pick up the reduced dynamic range of >> the print. I should have been more specific perhaps. >> I'd like to tint the >> image file similar to say a warm print but keep the full dynamic range (as >> opposed to a file "soft-proof"). For example, if someone wants to send an >> image to a magazine and have it printed with the same hue as their QTR > warm >> curve but won't >> have input into the printing process (and so need to send a >> colour image rather than a greyscale).
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Re: [Digital BW] Re: Duotones
2005-11-11 by Steve Kale
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