I wouldn't be a bit surprised if the effect you are referring to couldn't partly explain some of the d'max loss that occurs with ink flooding on some papers ie: finding black lighter than darkest gray. Maybe it just got all the holes between the needles filled in. :) Regards Duane --- In DigitalBlackandWhiteThePrint@yahoogroups.com, dannysoar <dannysoar@a...> wrote: > > I don't understand about 85% of what is said on this board. But I remember from > engineering skool, that the way scientist and engineers used to achieve almost > perfect blacks was thusly. They'd make a block of needles or razor blades on end > and shine the light at the points. The light would bounce around heading down > and getting absorbed at every bounce. I think black velvet works the same way. > > Could a coating be designed to sort of do this? Could a way be found to print on > black velvet? Perhaps by spraying a white pigment on all but the Zone 0 black. > David > > > >
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[Digital BW] Re: Epson Ultrasmooth Fine Art, VFA, HPR . .
2005-11-14 by dlruckus
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