Hello Tyler, >...sometimes some paper/ink just seem to have less life than >others for reasons hard to quantify. How true. Eboni BO on PR just sings. With K3 I'm having a harder time finding a setting that I really like. I'm close, but nothing yet that gives me the same chills up my spine as the former. >Without White Velvet I would begin testing the VFA again, they have >certain similarities, and you and others are reporting good results. In the same vein as above, with Eboni BO VFA didn't excite me much, but with K3 it has moved to my A-List. >I'll test this new Crane also. Personally I don't like these >smooth papers, but clients do, so I must carry them. >But how it does with Piezotones is my concern. Before White Velvet >we had nothing bright white with a pretty tooth, so it's a good >option. It's worth trying Max, as it has a fine (as in tiny) texture. And as Walt has reported, it seems to be extremely scuff and burnish resistant. I dug into it with a thumbnail and still couldn't scrape any ink off. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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For Tyler Re: Epson Ultrasmooth Fine Art, VFA, HPR . .
2005-11-14 by Clayton Jones
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