Hello Steve, >You mentioned that you are using the LIGHT setting in the ABW >driver. Me too. I can't understand how come Epson have >selected their DARKER setting as the default. Well, I guess it isn't the first mysterious thing Epson has done <g>. How about why did they put BO in the 2200 and not in the 2100? >For me and my setup (on a 4800) it blocks up the shadows far too >much with little separation. I had been wondering if there is >something in my own setup forcing me to go have to go with the >LIGHT setting, but I now think perhaps it's simply that I want >more separation in the shadows... It's easy to see it at work, just print a step wedge at each of the 5 settings. The dark end steps get more compressed as the setting gets darker. It's pretty severe at "Darker" and "Darkest". Who knows what Epson was thinking... >I noticed from a previous post that you (was it you?) would like >decimal setting for even greater control. I don't think I'm that >discriminating! Yes, I confess. What happened was I was trying to avoid some coloration at a particular setting. At one setting it was too magenta-ish, and when I moved it 1 point it was too greenish. I danced all around the spot, trying various h/v combinations, and never did get what I wanted, and found myself wanting fractional values. This kind of thing has happened several times. I know I'm being overly picky on this. Over all I'm very happy with the 2400. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePrint
2005-11-17 by Clayton Jones
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