Paul This rings a bell ... Please give us an example (or two) of what typical "short toe" or "long toe" films films were in the (not so) good old wet-darkroom days. Or perhaps put otherwise: Where could I see what the "Grey Gamma 2.2 space" does as opposed to the "Dot Gain 20" space regarding the overall compression parameters (curve or actual pictures, please). Which of the two working spaces is more appropriate for "low key" rendering? Thanks Chatzebussi --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" <paul.roark@v...> wrote: > > This may be a bit of a tangent, but from my wet darkroom days I've come to > see the darker, more compressed shadows of the Gray Gamma 2.2 space as > analogous to a "long toe" film or paper characteristic curve. The most > widely used alternative, Dot Gain 20%, is like a "short toe" characteristic > curve. > > Paul > www.PaulRoark.com >
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[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by chatzebussi