Walt, > ... Epson actually does recommend a DG20 gray > space. ... U.S. Prepress Defaults, which is an RGB > space of Adobe RGB (1998) and a gray space of Dot Gain 20%... Similarly, in Elements the color space that uses DG 20% is said to be optimized for printing. However, the GG 2.2 is the default that most are going to be seeing from their digital cameras and on the web. I think the 2 spaces make good alternative approaches. > ...I used the Gamma 2.2 workspace but the "light" setting in the driver > because I got better ICC profiles. ... The reason for my > doing this is that the *unmanaged* targets printed for ICC profiles > reflect exactly the compression we'd expect of GG 2.2. In the > shadows, the closeness of the patches is more difficult for the > spectro to discriminate. I've come to basically the same conclusion. On the R220 setup I am tuning for, among other things, ICC printing, I make sure there is enough shadow separation for a reliable, relatively consistent print. > In some recent tests with Paul (in which we > measured our own targets five times and then each others, each with a > different instrument and in my case in both patch and strip mode) > variations on the order of L* 0.5 were quite common, and I showed one > as high as L* 0.88. It's important to note that most of this variance is in the print, not the instruments. > Thus the target from the light setting makes > these errors much less significant and provides more reliable data as > a basis for the ICC profile generation. Having better resolution of > the data at this level and then recompressing the 85-100 K for visual > correctness is, I think, more reliable. The flip side of this is that with more compression, more information is lost. So, I want enough shadow separation for reliable reading, but not much more. > So, the issue is not that > the target doesn't "look right," it is that the "darker" target is > more difficult to reliably read. Incidentally, we both found that > the variations from the printer (target to target, printed > consecutively) were greater on my 4800 and Paul's 180 (?) than were > the variations in spectro reads. I used the R220 with the still-not-released MIS inkset for it. Paul www.PaulRoark.com
Message
RE: [Digital BW] GG 2.2 vs. DG 20 (Was Comparison: K3 versus Ultrachrome)
2005-11-21 by Paul Roark
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