If you can't see 1 L* in adjacent patches, something is very wrong somewhere. I understand about the shuffled bit, but it does not diminish the requirement of a smooth monitor calibration (before profiling) to allow accurate tonality assessment while editing BW images. Best regards, John Moody -----Original Message----- From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of Steve Kale Sent: Tuesday, November 22, 2005 7:35 AM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: Re: [Digital BW] GG 2.2 vs. DG 20 (Was Comparison: K3 versus Ultrachrome) "I don't think anyone, even those with very good eyes, can practically see a difference of 1 L* regardless of where it sits on the scale from black to white, especially if the patches are shuffled and they're asked to choose the darker or lighter of the two." [Non-text portions of this message have been removed]
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RE: [Digital BW] GG 2.2 vs. DG 20 (Was Comparison: K3 versus Ultrachrome)
2005-11-22 by John Moody
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