> > ... roughly 1.79 vs. 1.70. . . > ... Does it really look "much better?" ... Another variable that is out there is that some of our instruments read slightly differently. I've never measured a matte paper above 1.75. So, with that in mind, just looking at what my instrument reads (with white paper under the sample -- another variable), I consider 1.60 as the minimum dmax I'll accept in a matte paper. 1.65 is very good. Above this, I don't see much difference in real photos and normal lighting. 1.7+ is outstanding and, in side-by-side comparisons under bright lights, one can definitely see the difference. In real display, however, I don't think it would make much difference above a 1.65 matte dmax. It's the art, not the dmax that matters once an acceptable level is reached, but we always want and strive for more. I use UltraSmooth or Premier Art Hot Press (same coating, I believe) even though on some of my printers they have a dmax of only about 1.63. The smoothness of the finish and other factors outweigh the minor dmax weakness. It's over my 1.6 bottom line, so I'm not too concerned (but I'd love to see 1.7 on it). Paul www.PaulRoark.com
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RE: [Digital BW] Re: epson velvet fine art paper
2006-02-11 by Paul Roark
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