Tim,
I use Hahnemuhle Torchon, William Turner, German Etching, and Photo Rag. Right now my favorite is William Turner and Photo Rag. For large prints 24"x24" I love Torchon, but the texture is a bit too much for small prints. I mostly buy the papers from my local dealer in 37"x47 sheets. If I commit to at least 10 packs of 25 sheets, they will stock them for me and give me a substantial dicscount. They have a few other photographers that commit to 10-20 packs so in essence they can order in 50-100 pack orders.
The paper becomes very reasonable in price when purchased large and cut down as needed. If I need a small amount I purchase from MediaStreet.Com, very good prices and very nice people.
Yes, I have printed the duotone purple that you mentioned. The results are very nice, but I still get just a bit of crossover in the highlights.
Mike
----- Original Message -----
From: tyork1946
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Sent: Sunday, January 13, 2002 5:44 PM
Subject: Re: [Digital BW] re: selenium toning
Mike
Which Hahnemuhle papers do you use and where do you get them? Have
you tried the canned duotone in PS6 that gives a very respectable
selenium-toned print? It is the last duotone of the black/purple.
Tim
--- In DigitalBlackandWhiteThePrint@y..., "Michael Kravit"
<michael.kravit@w...> wrote:
> David,
>
> I hear your frustration.
>
> CDT made my profiles for me as well. After the pigment ink wound up
on the floor, my desk and the wall, I loaded the Epson 1280 dyes. I
profiled them myself with Profiler Pro and my scanner. I get lovely
prints with great color balance.
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[Non-text portions of this message have been removed]Message
Re: [Digital BW] re: selenium toning
2002-01-14 by Michael Kravit
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