Digital BW, The Print

I'd find the UT2 curve that gave the tones I wanted, perhaps one of the
Premium Semigloss curves, and then I'd embed the curve in an ICC so that I
could linearize the curve to the new paper.

See http://home1.gte.net/res09aij/Embedding_Photoshop_Curves_in_ICCs.pdf

Paul
www.PaulRoark.com 


> -----Original Message-----
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of
> zonepeter
> Sent: Friday, May 05, 2006 9:08 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Fibagloss UT2 question
> 
> Thanks K2. The workflow I am refering to doesn't use any MK.  It
> allows you to keep MK in the black position, but using grey inks to
> make the black.  It is desinged for use with gloosy papers, which is
> why I was wondering if it would work with Fibagloss.
> 
> Thanks again.
> 
> Peter
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, K2 Chittin
> <k2@...> wrote:
> >
> > Peter
> >
> > FibaGloss is designed to work with photo black.  You're unlikely
> to get
> > satisfactory results with MK.
> >
> > K2
> > www.squidtechnology.com
> >
> >
> >
> > zonepeter wrote:
> > > I am going to be trying Innova Fibagloss with UT2.  I was
> wondering if
> > > anyone has tried them using any of the glossy profiles for Eboni
> (ie
> > > epson semigloss profile)?  These are the profiles that don't use
> any of
> > > the black ink and use the dark grays to produce black.  Will
> this work
> > > or should I order some PK right away?.
> > >
> > > Thanks,
> > > Peter
> > >
> > >
> >
> 
> 
> 
> 
> 
> 
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