Digital BW, The Print

Hi Paul,

This is great news as I've been trying to get a nice warm tone but
haven't mastered the curve generation (yet).

Do you have a link to this curve on your site yet?  I'm going to try
and use this curve to make a Kirkland Glossy version.  

With the Kirkland glossy paper I know Eboni can't be used so which
UT-3D inks do you recommend I stick with for the Lenswork tone?

Looking at the swab tests for the various inks it looks like C and LC
are warm so they'll probably be used but I'm a bit in the dark on what
other inks to use.

Thanks,

Richard Cooke

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
<paul.roark@...> wrote:
>
> I found the photos in the latest Lens Work magazine particularly
appealing.
> This included the warm tone that was used to print them.
> 
>  
> 
> So, in part as just an exercise, I duplicated the tones on the PermaJet
> Fibre Based Gloss with the UT-3D inkset.  You can see a graphical
comparison
> of the tones at http://home1.gte.net/res09aij/LensWork-Warm.pdf   It
looks
> very close.
> 
>  
> 
>  
> 
> Paul
> 
> www.PaulRoark.com <http://www.paulroark.com/>  
> 
>  
> 
> 
> 
> [Non-text portions of this message have been removed]
>