Digital BW, The Print

Paul,

I wasn't very clear in my oringal post - sorry about that but I'm
trying to figure out how to work with the UT-3D inkset in my 2200 so I
think a better way to ask this might be required.

In your PDF "http://home1.gte.net/res09aij/Profiling%20UT-3D.pdf"  you
state:

"In general, moving a point down increases the amount of ink. So, Red
(C = Carbon) moved down makes the print warmer, up cooler. Green (M =
Main cool toner) moved down makes the print cooler, up warmer."

What does the Blue curve do?

What would help me wrap my head around this whole concept is what inks
are being manipulated by the Red curve?  Green curve? and Blue curve?
 Or is it not that simple?  I'd ultimately like to be able to print to
EEM and Innova PhotoSmooth and also to the Kirkland glossy with the
warm toned Lenswork look.  I will certainly use your 220 curves as a
starting point but the mystery of which specific inks are used to make
the warm tones will help me out.

I hope this makes sense.

Thanks,

Richard Cooke

 <paul.roark@...> wrote:
>
> Richard,
> 
> > Do you have a link to this curve on your site yet?  I'm going to try
> > and use this curve to make a Kirkland Glossy version.
> 
> I just posted Permajet Fiber Gloss and Kirkland "LW-Warm" curves and
ICCs.
> 
> See http://home1.gte.net/res09aij/UT-3D_Downloads.html
> 
> The Kirkland paper printed way too cool with the PJ Fibre Gloss ICC.
 I also
> decided the 100% black should be more neutral (i.e., cooler) on the
Kirkland
> curve.  To me it looks darker with no visible color distinction. 
> 
> I have not verified that the Permajet version is identical to the Innova
> version sold in the U.S., but it probably at least has the same
coating. 
> 
> 
> > 
> > With the Kirkland glossy paper I know Eboni can't be used so which
> > UT-3D inks do you recommend I stick with for the Lenswork tone?
> 
> I assume UT-3D with Eboni installed.
> 
> Hope they work for you.
> 
> Paul
> www.PaulRoark.com 
> 
>