Ferrocyanide was a commonly used by press photographers in the thirties. All prints that been exposed to ferrocyanide are eventually destroyed by it, no matter how much "archival" washing. Of course, if you try the recommended hours-long washing you're a villain, into wasting water. Since it's terribly poisonous and there's no way to neutralize it on a print or in the sewer, one must ignore both permanence and the environment to use it. In post-printing it can produce brilliant, localized whites in a print that's otherwise dark and moody. But Photoshop is a more honorable tool. > > If anyone has ever tried this technique, it is quite marvellous, but > extremely, > extremely reactive. Practice. practice, and practice again, using lots of > H2O > from the end of a small nozzle hose allowing for a focused pour of H2O on > the subject area, and the use of a fine, fine brush, is essential. :) > > Bruce introduced me to this technique, more the 20 years ago, and I have > not for gotten the moment I called him ³Captain Ferricyanide,² during a
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ferrocyanide/ Moonrise
2006-06-04 by djon43
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