Hello Rem, >I took the prints that I made with Kayenta outside for another look, >and they can hardly be called warm. I think what happened is that >I had them laying next to other prints that I had made on semi-gloss >paper using the Paul's "cool" curve for UT2, and the juxtaposition >made the Kayenta prints look a little warm. That makes sense. It's real easy for the eye to be fooled. When I'm working up a new image in ABW and trying to decide what settings to use, I make myself take occasional breaks and go do something else for a few minutes. When I return my eyes have adjusted and things often look different. Many times I've gone to bed satisfied with something and the next morning didn't like it. I also look at things under different light sources. I have 5000K "full spectrum" flourescents in my work room, and can easily see subtle differences between prints (which I sometimes agonize over). But take them into a room with tungsten lights and I can't tell them apart. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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Tone Differences (was BO with Epson ink)
2006-06-08 by Clayton Jones
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