See my message below to Walt. K4 does have lower gloss. Walt, I'm using the MIS K4 (both in a 2400 and in a 4000, without the LLK in the latter) and CSR does exhibit slight bronzing and GD with both printers. As John noted a light coat of Printshield will eliminate this problem. The nozzle check patches exaggerate the bronzing and GD. I've also made comparisons using Hahnemuhle FA Pearl and Innova F Type. The H pearl surface looks almost the same as the CSR (but on a whiter paper base) and it also has about the same level of bronzing and GD. Innova F Type has a slightly glossier surface, but exhibits essentially no bronzing or GD and unlike the other two papers it does not require Printshield treatment. Except for the surface imperfections, the Innova F Type looks most like my air dried silver prints. Recent discussions indicate that there are batches with a smoother surface. Mine was in the boxes with the blue label. Note that all of these comments are specific to MIS K4 inks which tend to produce a slightly lower gloss compared to Epson K3. Carl On Jul 3, 2006, at 8:23 PM, wwodets wrote: Folks- I've finally gotten a box of Crane Silver Rag and had a quick and dirty look. I did this simply by printing an auto nozzle check (solid rectangles) with the MK still in the printer, just wanting to see what the ink looked like on the surface. This is a 4800 with K3 inks. If I leave out the MK swatch, the ink is *much* glossier than the paper itself--the ink looks like something laminated to the surface of the paper. So, I am imaging that an image would show significant gloss differential between very open highlights and more dense areas of the image, as well as between dense areas of the image and the paper surround. In comparing the CSR to a few silver gelatin, fiber, gloss, matte- dried prints, the SR is actually more matte than the fiber paper. The gloss of the ink is a closer match to the gelatin paper. Though the CSR doesn't really look like a matte-dried paper, I like the look and find it very "photographic." But with the K3 inks, I can't see that it would be useful without a Print Shield spray or something like that. Any comments on evaluating the paper/ink in this way or on my observations? Thanks, Walt On Jul 4, 2006, at 2:32 PM, Keith R. wrote: Haven't had the chance to try the new papers yet, but after reading Walt's comments, I was wondering if the "gloss issue" he mentions has to do with the micro encapsulation of the K3 inks. Has anyone tried the MIS K4 inks in a x800(or 2400) on these papers? MIS states that their K4 inks are "not as glossy as the Epson K3 inks". The reason I'm asking is that I'm getting close to point of having to get ink for my 4800, and now that MIS has gotten their problems resolved with their funnel fill carts, I am once again rethinking the K4 inks set. KeithR --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "wwodets" <odets@...> wrote: Folks- I've finally gotten a box of Crane Silver Rag and had a quick and dirty look. I did this simply by printing an auto nozzle check (solid rectangles) with the MK still in the printer, just wanting to see what the ink looked like on the surface. This is a 4800 with K3 inks. If I leave out the MK swatch, the ink is *much* glossier than the paper itself--the ink looks like something laminated to the surface of the paper. So, I am imaging that an image would show significant gloss differential between very open highlights and more dense areas of the image, as well as between dense areas of the image and the paper surround. In comparing the CSR to a few silver gelatin, fiber, gloss, matte- dried prints, the SR is actually more matte than the fiber paper. The gloss of the ink is a closer match to the gelatin paper. Though the CSR doesn't really look like a matte-dried paper, I like the look and find it very "photographic." But with the K3 inks, I can't see that it would be useful without a Print Shield spray or something like that. Any comments on evaluating the paper/ink in this way or on my observations? Thanks, Wal
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Re: A Quick look at Silver Rag . . .
2006-07-04 by Carl Schofield
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