To get a workflow that uses a minimum of color inks, and is fully color managed, would be a lot more complex (also expensive). You would need a good CMYK RIP (or driver) and a CMYK profiling hardware/software package that lets you control the black generation (completely). This is best done with multiple black (gray) inks and the CMY. If you have enough channels (the DaVinci comes to mind), then you can have 5 black/gray plus CcMmYRB (or other combinations). Again control of the black channel is the key. The more black/gray inks (within reason) the better the results. With fewer inks, you need to get creative to get a good reproduction in the highlights.
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Re: Choice of Ink set and color management system
2006-08-02 by Greg