Digital BW, The Print

Of course modern chromogenic mono films like T-Max are colour films in 
disguise and have no better archive life than colour.

And don't resin-coated papers also have shorter lifetimes?

Back to that printer chiselling away at the granite slab idea...

On Friday 18 Jan 2002 10:33 pm, Bruce Kinch wrote:
> >David Hemmings, wasn't it?  One of my all time favourite movies.
> >Casts the B&W photographer as a hero.  I like that in a movie :-)
>
> Especially since the color prints I've seen of late have faded
> dramatically. And in a film where director Antonioni went around
> repainting everything just so, including the grass in the park:-)
>
> Bruce
>
> >--
> >Quentin
> >
> >-- In DigitalBlackandWhiteThePrint@y..., grdglass@a... wrote:
> >>  Reminds me of that old movie, "Blowup."  The photographer solves a
> >
> >murder by
> >
> >>  repeatedly blowing up the tiniest section of a 35mm frame.  Each
> >
> >successive
> >
> >>  blowup gets clearer and sharper and more detailed.  Wonderful
> >
> >movie, but
> >
> >  > those of us in the know...