You can go up a significant step in quality without giving up either color, or matte/RC printing simply by using an LK in place of the gloss cart. The only (minor) draw-backs are: 1)that some glossy papers show a bit of gloss differential. I stick to satin-semigloss papers. 2) There are no 'canned' curves for this configuration-you'll have to learn to make your own if you haven't already. It's not too hard, and if you use Tom Moore's 'ideal densities' charts ( to linearize your curves) at the back of the user's guide, you can get outstanding results without a densitometer. Steve Karafyllakis --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "bcadigan" <bcadigan@...> wrote: > > I am thinking of getting a set of Piezography inks for B&W printing on > my Epson 1800. Has anyone had any experience with these inks on that > printer? Specifically, did they improve your prints noticeably? Is it > as easy as they claim to move back and forth between the Piezography > cartridges for B&W and the Epson cartridges for clor printing? So far > Quadtone RIP is giving me pretty good results in B&W with the regular > set of Epson inks. >
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Re: Piezography Inks with R1800 & Quadtone RIP
2006-11-27 by Steven Karafyllakis
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