In a message dated 12/2/06 7:17:57 PM, claudej1@... writes: > Since conversions of equal luminances of 2 spectrally > opposite colors remove the color contrast, we must use pre or post > processing color distortions to create a visually pleasing image WITH > those contrasts > Yes, I used to use a color image of cows in a pasture under lilacs as a sample image for students to convert to B&W. The B&W Holstein cows converted nicely by they would always be quite suprised when the lilacs diappeared into the foliage on conversion. Getting them to work with channel blending (or more recently CameraRAW channel adjustments) to bring out contrast between the lilacs and the foliage was a good way to get them thinking about the relationships involved. Another tutorial I find effective is to slide the CameraRAW saturation slider all the way to desaturated. Then adjust the master curve to offer effective black and white global and local contrasts. Now resaturate the image, and see what those adjustments do to the color image... C. David Tobie Product Technology Manager ColorVision Business Unit Datacolor Inc. CDTobie@... www.colorvision.com C. David Tobie Product Technology Manager ColorVision Business Unit Datacolor Inc. CDTobie@... www.colorvision.com [Non-text portions of this message have been removed]
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Re: [Digital BW] Grayscale Vs Color (was PFP with UT7)
2006-12-03 by CDTobie@aol.com
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