Very true, but that suggestion was strictly to produce a numerically gray file to assess the resulting tone of the print i.e., the green hue. That would take the monitor calibration out of the equation. The original poster also seems to have confusion about the role of ABW; reading the manual again is in order, followed by any more questions he may have. Best regards, John Moody -----Original Message----- From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of Eric Neilsen Sent: Saturday, January 20, 2007 12:26 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: RE: [Digital BW] a new user with an Epson 3800 and green hued b/w prints IMHO it is best to print B&W images in the ABW from gray scale files, but that is just the way I work. To simply desaturate an image doesn't give you control of tonal conversion. Why give up that control? Do you conversion to B&W and print the B&W file in the ABW mode. Unless you have a profiling system for color that you can make work better/ with more detail in the blacks, blah, blah, blah.. Eric Neilsen Photography [Non-text portions of this message have been removed]
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RE: [Digital BW] a new user with an Epson 3800 and green hued b/w prints
2007-01-20 by John Moody
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