Paul,
This completely confirms what Ctein says in his new book on photo restoration. He uses the scanner as one of his strongest tools for pulling info out of a print and details a lot of nice moves done by scanning BW prints in manipulating them in the color domains. If you haven't seen it, take a look, you may enjoy it. "Digital Restoration From Start to Finish: How to repair old and damaged photographs"
----- Original Message ----
From: Paul Roark <paul.roark@...>
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Sent: Wednesday, March 21, 2007 10:40:20 AM
Subject: RE: [Digital BW] Digitizing Prints
In this museum project I'm working on, I usually don't have the original
negative. So, I'm stuck with old, beat-up prints. I've been amazed at how
much information I can pull off some of those old prints. Often the paper
texture limits the enlargement, but sometimes even it conveys an interesting
look -- not unlike watercolor paper we use. If I'm lucky enough to have a
contact print, taking the final to 18 x 24 still results in a print that can
be very sharp -- at least in the center, which is about the only place some
of the old lenses performed well. I use my Epson flatbed scanner at up to
800 ppi for the best prints. The only time I've resorted to my 8 MP Canon
is for a poster re-production that was too large to scan (and not worth the
cost of a service bureau scanning-back job). For the poster, which was a
water-color original, I used the Canon 45 TS lens to make a 14 MP image.
Paul
www.PaulRoark. com
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Re: [Digital BW] Digitizing Prints
2007-03-21 by Eric Vogel
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