Paul - How does this compare to K7? How is it possible to do split toning when all the inks are the same? I guess I am missing something in a big way. Thanks for your help. David --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Michael King" <drmrking@...> wrote: > > Paul as always thanks for sharing, very interesting and thought provoking. > > Mike > > > On 23/05/07, Paul Roark <paul.roark@...> wrote: > > > > In my continuing experimentation with this 100%, multi-channel Eboni > > carbon > > printing approach, I've posted some graphs that compare the LensWork warm > > split-tone tonal distribution with what Eboni gives on Photo Rag and some > > other papers. See page 10 of http://www.paulroark.com/BW- Info/R1800.pdf > > > > Paul > > > > www.PaulRoark.com <http://www.paulroark.com/> > > > > [Non-text portions of this message have been removed] > > > > > > > > > [Non-text portions of this message have been removed] >
Message
Re: R800-1800 Eboni -- Comparison of LensWork split-tone to Photo Rag and other papers.
2007-05-24 by David Sinai