Paul I am using 2200. I have read your pdf on K4 ink set...that is what has prompted me to go this way. I understood from reading that piece that LLLK was smoother. I must have misread this. Another question. I ordered the clear base on MIS recommendation. I only print occasionally on lustre (never Glossy)...and have not felt the need for Glop...just use PKN and turn off the Ebony. Am I going to have problems on lustre relative to bronzing with this base? If so, I will need to return to MIS for exchange. Isn't the Base used in all standard Inks? Soooo, unless I misread this...you think laying down too many shades actually makes things blotchy??? Seems like this is controlled with ink limit and linearization. Am I mistaken? But it does make sense that if inks are too dilute, the base would oversaturate. Is the blotchy quality from too much base dilution? One of the reasons I am going to this set of inks is the idea of having both PKN and Ebony loaded...and not have to swap carts. I was planning to use PKN as my dark grey when using Matt paper...so it definitely sounds like I do not need to have further dilutions of the LLK. I am still not clear on your reasoning for separating the color carts...but I have no doubt you have tested more than I. I have initially tried using Epson Ultrachome LC & LM with the most neutral inks in the UT7 inks that I am currently using. These off the shelf colors are so potent, I have to set the output of these inks to just a whisper. That is why I was thinking dilution would be a preferred way to go. Will you please elaborate why you only dilute the LC. I would have thought that LC and LM were tonally equivalent...so both should be diluted to get same density with same curve. --- One more question. Lets say I use LLK in 2 positions(instead of LLLK for one)...and split the output evenly for those 2 positions....same curve and ink limits. Shouldn't this smooth the output? Is there any gain here? Or use same ink in 2 positions and use those two positions to smooth the ramp by equitable output on different parts of the ramp. Is there any gain here. I do follow your reasoning for not diluting the inks themselves. But 2 positions equaling the output of one position should lead to smoother?right? Don't get me wrong. I get pretty smooth results right now. Thanks for your help. Phil
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Re: MIS K4 Black Inks...more questions
2007-06-17 by brouwerkent
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