fwiw, This kind of concern is commonly handled by an accompanying note, describing the image, identifying factors (size/type of image on size/type of paper etc), date, signature etc., specifying the buyer (to facilitate tracking). It might be of no great concern to people whose clients buy prints for visual reasons I don't think Adams or Weston ever had this concern. It's certainly easy to imagine a fine copy neg made from one of their prints, printed upon some lovely silver paper, perhaps aged, sold as "orignial". Digital is no more magical than optical. --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "amadou diallo" <amadiallo@...> wrote: > > I only glanced briefly at the site, but the wisdom of paying for such > a service aside, it really highlihts the issue of personal > responsibility and integrity of the artist. Today, digital makes it so > much easier to produce multiples and reproductions in virtually > unlimited quantities of identical quality. If you choose to edition > your work in limited quantities (like I do) you obviously need to > assure a buyer that you will honor the terms under which you are > pricing and selling the print. Making your own print > documentation/certification is straightforward and easy to do, IF you > keep organized and detailed records of your output. Keeping these > detailed records can also help avoid the insurace claim nightmares > mentioned on that site. > At the end of the day, the buyer is depending on your (or your > representative's) reputation for integrity. As a buyer, if I didn't > trust a particular artist, it wouldn't matter to me what > "certification" they offered. By contrast, I've found that when > selling my work directly, a little personal contact with the buyer > goes a long way. The web is a fantastic tool for showing your work, > but when it comes to purchases of art, I make a point to speak, via > phone or in person with the buyer. In these conversations I give as > much information about the work as possible, offer general guidance on > handling and display, and explain that there will be signed > documentation with each print. I've never yet had a buyer ask about > how I will ensure the integrity of the edition, and I take that as a > sign that they are confident in my integrity. > -- > amadou diallo > Author, Mastering Digital Black and White > www.masteringdigitalbwbook.com >
Message
Re: [Digital BW] Inkjet Fine Art Certification.
2007-08-03 by djon43
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