Digital BW, The Print

Hi,
I'm wondering why I ever (partially) forsook my first love of BW and started doing colour as well ...

This problem relates also to toned BW prints, so I raise it here.

I've just printed a colour mural - one that I've done five or six times in the last year and *never* been satisfied with - and printed it, after evaluating the tones under a full-spectrum fluorescent light and outside on a partially cloudy day, calibrating the clouds against the ones I was looking at in the sky.

Well, it looked perfect outside. The problem is that prints are normally viewed under incandescent lighting ... which makes the clouds marginally mauve when I view it inside, with the lights on.

So I may finally admit defeat and end up doing it in BW with QTR ...

The question is, should one evaluate hue under a full spectrum light or daylight, when in reality it's going to be viewed under normal household illumination?

thanks,
Richard
--
http://smallfield.vze.com
http://photos.smallfield.vze.com (Photos web site)
http://warkworth.vze.com/ (Warkworth photo essay)
http://picasaweb.google.com/rsmallfield/ (Recent work) 

   "The grass is not, in fact, always greener on the other side 
   of the fence. No, not at all. Fences have nothing to do with it.
   The grass is greenest where it is watered. When crossing 
   over fences, carry  water with you and tend the grass wherever 
   you may be."
   --Robert Fulghum