You might also wish to create your gradient in 16 bit instead of 8 bit. 16 bit has so many levels of gray that they tend to look much smoother on print out. FWIW, I find 2880 give me a better Dmax and smoother output. That is what I use for all my QTR profiles. This is on a 2200 and a 4000. Lou --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "robert49brake" <robert49brake@...> wrote: > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "alistair_owens" <owens@> > wrote: > > > > I use an Epson 2100 with Epson UC inks and have been experimenting > > with QTR to see if I can optimise the print quality. I have ordered > > some Piezography inks so while I am awaiting their arrival I want to > > establish a benchmark of what the Epson inks can achieve if > > optimised. > > I like the warm tones I get by just using the Mk and Lk inks but like > > the smoothness I get when I add a little LM and LC to cool the print > > a little. To see if I can improve smoothness in warm prints I have > > been trying printing at 2880 dpi. I built some linearised curves > > using my newly acquired Printfix Pro 2 (I love that little toy) for > > 2880 printing (ink limit ended up at 37!). I used Epson Archival > > Matte paper (called Enhanced Matt I believe in most countries) for > > the experiments discussed above together with Epson Mk and Lk. > > > > After a lot of time, ink and paper expended I have to report that I > > cannot see any appreciable difference compared to the prints made at > > 1440 dpi. > > > > Also, to validate the linearity of my linearisations, I printed a > > radial gradient. Again I was a little disappointed to see some > > distinct steps that make my radial gradient look a little like a > > bullseye target. > > > > My questions of the group are: > > > > 1) Are my findings regarding 1440 vs 2880 printing consistent with > > the experience of others or should I persist? > > > > 2) Can I reasonably expect a smooth radial gradient from just K and > > LK on an Epson 2100? > > > > 3) If so how do I "tweak" the linearisation to achieve the smooth > > radial gradient? Bear in mind I have already linearised using the the > > tool in QTR. > > > > Hello Alistair, I don't print with a 2100 so I can't comment on the 1440/2880 issue but I > have a comment on the radial gradient and this has come up before in other forums. What > is the source of the radial gradient? I have made them in PS and they will show banding > on their own. I have also moved a radial gradient from one monitor to another and > watched the banding change. Everyone assumes the gradient is perfectly smooth and any > banding is the result of the printer but I am not convinced of that. Many think the > algorithm used by PS for gradients is the culprit. Others suggest different blurring > techniques when making the gradient. > > Somewhere inside QTR you can find a document: Ideal Densities for Given dMax Values for > a 21 step wedge. I think this is a more useful tool. You can also add your own curves > before linearization to smooth the gradient allowing the linearize function to have to do > only the fine tuning. Creating the Curves, I believe, differs between Mac and QTR GUI. I > have only a tenuous grasp of the concept myself for Macs creating them in text mode, but > the info is out there and perhaps others can give you a better direction. > > Robert >
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Re: Optimising Print Quality with QTR
2007-10-27 by Louis Dina
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