Hi Christian, >... purchased an C88+ and the mis bulk inks and printed ... > on Photorag 308g. ... >... my prints. They have a depth that even silver papers struggle to get. >I still would like to see the fine detail that I see in the >highlights of silver papers but matte papers cannot go there Some will dispute this. Maybe the C88 can't go there quite as well as some of the others that have smoother highlights. I think one of the differences I see between silver printing and inkjet printing is the extent to which inkjets can attain higher contrast in the highlights that only bleaching could achieve with a silver print. The chemical processes inevitably rolled the highlight values off in a "shoulder," whereas the inkjet technology produces a straight line curve right up to the paper white. Of course, if one likes the rolled-off highlights, that can be done in Photoshop. >... they cannot achieve deep dmaxes. The glossy paper measured dmax is terrific. But due to reflections, the super-deep blacks are only visually realized when ideal lighting is available. All too often reflections mask the deepest blacks and the subtle details there. In real world display, the matte papers do rather well due to their lack of reflections. Under glass, the differences are usually rather minor. Like the highlights, the ability to have higher contrast in the shadows also makes inkjet dmaxs more realistically useable than the ultimate silver print dmaxs. Your C88 with MIS PKN ink can make quite good glossy prints. So, you can try some of the different papers rather easily. Crane Silver Rag was one of the early "fiber based" glossy papers that is definitely worth a try. It has no OBAs so is a bit warmer than the others. >... I also read some about BO printing with the epson 1800 and > it sounds interesting but I am a sucker for smooth tones ... The 1800 3-MK highlights are probably better and smoother than the C88. See http://www.paulroark.com/BW-Info/R1800.htm for a general write up of the approach and http://www.paulroark.com/BW-Info/R1800-Image-Structure.pdf for scans of the dot patterns that show relative smoothness. The 1800 approach can also be used with PKN for glossy paper. Eboni is strictly a matte black ink. Paul www.PaulRoark.com
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RE: [Digital BW] Damned good glossy prints
2007-11-14 by Paul Roark
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