Digital BW, The Print

I have now added optional .quad files for each profile that includes glop (use in the regular 
glop cartridge slot).
http://homepage.mac.com/scho/.Public/R1800_3PKN.zip

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Carl Schofield <list@...> wrote:
>
> If you use papers that exhibit objectionable bronzing or gloss  
> differential then you could use glop.  I see a little bronzing with  
> the luster papers, but enough to make me want to bother with adding  
> glop.
> 
> Carl
> 
> On Nov 15, 2007, at 6:43 AM, kpbgsu wrote:
> 
> > Do you need to use GLOP for the 3-PKN method?
> >
> > Kevin Pang
> >
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Carl Schofield
> > <list@> wrote:
> >>
> >> Not any more John.  Best small format B&W prints I've ever made on
> > RC
> >> (and the new fiber papers) have been with the Epson R1800 using
> > Paul
> >> Roark's 3-MK workflow, but subsituting the new MIS neutral PK
> > (part#
> >> RCNTL-4-PKN).  These "3-PKN" prints have that luminous BO quality,
> >> but without the "grain".   Very smooth highlights and midtones.
> > QTR
> >> R1800 3-PKN profiles for use with luster papers (Red River
> > UltraPro
> >> Satin 2.0 and IJA Microceramic Luster) available here:
> >> http://homepage.mac.com/scho/.Public/R1800_3PKN.zip
> >>
> >> Carl Schofield
> >>
> >> On Nov 14, 2007, at 9:13 AM, john kelly wrote:
> >>
> >>> Black Only is limited by print size. The smaller, the
> >>> worser. I suspect the main reasons for Black Only are
> >>> minimal learning curve and bogus film grain (good for
> >>> digicams). ...snip
> >>
>