Digital BW, The Print

Also, check out PDN negative making from Mark Nelson.
   
  we made a wide variety of digital negatives using inkject papers then contact printed them to Ilford RC papers (because it was quicker). It was amazing how nice they turned out. Shortly i will be making some for alternative processes as well.
   
  On the subject of darkrooms, i have been doing traditional darkroom work for about 60 years, as i started when i was ten years old. Am in very good health, and still love the process.  There are a wide variety of options for us these days and folks can pick what there heart desires.
   
  However, it is true, the digital path is a slippy rabbit hole of updates and cost, but as a friend of mine says, "photography is not for the faint of wallet".
   
  regards,
  ann

Patrick Kealey <pjkealey@...> wrote:
          
I concur with "le Globe Trotteur" using diginegs with silver works
fine. Besides his work that I have just looked at briefly, another is
"Digital Negatives" by Ron Reeder and Brad Hinkel.
Patrick

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Le Globe
Trotteur" <unglobetrotteur@...> wrote:
>
> Digi negs work great with silver. I have a few prints in a gallery
and they 
> sell really good. They are even better because i used photoshop to
improve 
> the photo.
> Like people said, chemicals is a disadvantage. Especially when i
spill them 
> on the bathroom floor and my wife is not too happy !!!
> I usually do B&W work one a month. I print all my negs during the
month and 
> I have a stack of them. It costs me $12 in chemicals everytime +
cost of 
> paper. It's around 50 cents a sheet for fiber. A lot cheaper for resin 
> coated.
> 
> 
> 
> [Non-text portions of this message have been removed]
> 
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