Hi Carl, >Are you suggesting a typical two ink QTR partitioned profile >with PKN and PKC or is there a better way to get the cooler >ink into the highlights and midtones? I'm not sure what will work out the best. I'd probably try starting a single cool PK in the first one to come on, with the neutral PKs in the other 2 of a 3-PK workflow, and see if that allowed me enough cool ink to pull the warmth hump to wherever I liked it. With the Eboni-6 inks on the PA Smooth BW paper, I'm liking a 3 Lab B rise. On the natural papers , this starts to get warmer than I like. So, it's subjective. But I'd basically be doing a 3-PK(n) workflow, adjusting the curves as needed. Paul www.PaulRoark.com _______ ... >> http://www.inksupply.com/r260_blackandwhite.cfm is the >> MIS page that has the RC inks on it. See the labels at >> the tops of each table. ..
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RE: [Digital BW] Re:Damned good glossy prints
2007-12-26 by Paul Roark
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