Thanks Paul, I'll give this a try. Do you know what the relative firing order is for the C, R, and B channels in the 1800? Carl On Dec 26, 2007, at 3:46 PM, Paul Roark wrote: > Hi Carl, > > >> Are you suggesting a typical two ink QTR partitioned profile >> with PKN and PKC or is there a better way to get the cooler >> ink into the highlights and midtones? > > I'm not sure what will work out the best. I'd probably try starting a > single cool PK in the first one to come on, with the neutral PKs in > the > other 2 of a 3-PK workflow, and see if that allowed me enough cool > ink to > pull the warmth hump to wherever I liked it. With the Eboni-6 inks > on the > PA Smooth BW paper, I'm liking a 3 Lab B rise. On the natural > papers , this > starts to get warmer than I like. So, it's subjective. But I'd > basically > be doing a 3-PK(n) workflow, adjusting the curves as needed. > > Paul > www.PaulRoark.com > > _______ > ... >>> http://www.inksupply.com/r260_blackandwhite.cfm is the >>> MIS page that has the RC inks on it. See the labels at >>> the tops of each table. .. >
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Re: [Digital BW] Re:Damned good glossy prints
2007-12-26 by Carl Schofield
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