Clayton, At 06:17 PM Tuesday 1/1/2008, you wrote: >using is short lived. At the other end are bright white OBA papers >such as Condor BW and Kayenta, plus bright off-white papers like VFA >and HPR that I've had laying around unprotected for several years, >some getting direct sunlight, that haven't yellowed. Something I've never understood is how Wilhelm has always managed to give Ultrachrome prints on Epson Enhanced Matte and Watercolour Radiant White better longevity than prints on Epson Velvet Fine Art - which is totally against real-world experience. Enhanced Matte isn't even acid-free and my understanding is that the same goes for Watercolour Radiant White. Can anyone please cast some light on this? Richard -- Backroads Essay: http://picasaweb.google.com/rsmallfield/TheBackroadsOfWarkworth Greeting Cards available for purchase: http://picasaweb.google.com/rsmallfield/GreetingCards http://photos.smallfield.vze.com http://smallfield.vze.com "Big egos are big shields for lots of empty space." --Diana Black
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Re: [Digital BW] archival framing
2008-01-01 by Richard Smallfield
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