By the way, this is the latest ink base mix I've made. http://www.paulroark.com/BW-Info/Ink-mixing.pdf I recommend staying with what MIS will make available, but this one appears to work and is totally open source. It's a good exercise to explore these alternatives. The substances and basic knowhow are available, and most old darkroom workers would be comfortable doing this. On the other hand, how much benefit can come from fine tuning a base to a specific matte paper is uncertain. As with my previous experiences with custom mixing of film developers, when Kodak or other company came out with a good, pre-mixed solution, I used it. (Anyone want my old ingredients to mix POTA developer?) Frankly, matte papers printed with older printers are easy to deal with. The more serious work here is going into trying to cure glossy substrate artifacts and dealing with increasingly fast printing speeds with smaller nozzles. Of course, the most interesting thing I ran into is the inkjet printing of carbon nanotubes for various purposes. Even totally new types of heads that can work faster and with smaller droplets have been developed. But nanotubes actually appear to be able to be printed with Epson printers using a base similar to the one outlined above. Paul www.PaulRoark.com
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Ink Base update (was Eboni-6 tones, etc.)
2008-01-22 by pr_roark
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