I'm rather picky about what I spray on my prints. Historically, coatings have had all sorts of trouble with yellowing, cracking, and, I'm sure, other problems. One spray I tested for a seller yellowed visibly in only 100 hours in my fade testing (about 1 Wilhelm year). My reading suggested that a good acrylic is about the best with respect to yellowing. Lascaux is pure acrylic and what I was led to. My pastel painter friends also say that while they all change the colors slightly, Lascaux is the best they've found. It also lowers the dmax the least on matte papers in my testing. Lascaux does not contain a UV blocker like Premier Art Print Shield, and it is not as effective at dealing with reflective artifacts on glossy prints. But for a bit of protection for matte prints that, for example, might get damaged in shipping, I find it useful For glossy paper, where these sprays raise the dmax, or where a UV blocker is more important than a better dmax on matte paper, I use Print Shield. The Wilhelm testing gives me some confidense it will not yellow. In general, I'd rather not have to use these coatings at all. It's simply more efficient to have a workflow that produces a print that is ready to use without more work. Paul www.PaulRoark.com
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Re: [Digital BW] Hairspray as Gloss Optimiser
2008-03-15 by pr_roark
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