David and Ernst, A great smile of delight has spread across my face as I read this. No, as a matter of fact I haven't tried that before, in fact it didn't even occur to me. I will definitely experiment further with it. I thought my post might help someone else, and it turns out it helped me! But of course this sort of tip is the very reason I subscribe to this group. Thanks both of you for the idea. -Gary Gervin --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Ernst Dinkla <edinkla@...> wrote: > > David Whistance wrote: > > Gary > > > > Have you tried "Print to file" and then printed the resulting image through > > QTR? It gives you the benefit of Qimage's sharpening/resizing but allows > > you to use the non Epson printer driver. > > That's the way I have used it for my quad 9000. Print to > file (Tiff) to 360 PPI in my case but you could use 720 PPI > with a more recent Epson model. Drop that file (RGB as > Qimage doesn't know anything else) in QTR. The rest can be > customised in QTR. Some waste of paper as the Qimage print > page has to fit QTR's print page. Smart print sharpening is > as good for B&W as it is on color. > > Now I use Qimage for both color and B&W mode (+ QTR profile) > of the HP Z3100. Not the best cooperation possibel between a > driver and Qimage but that's more HP's fault it seems. > Despite that still better than with PS. > > There's a lot more to Qimage than so far mentioned but it's > hard to describe what aspect may appeal to a new user. The > demo will tell much more. The border functions + cut marks. > The nesting of more images including different sizes. The > sizing on the fly. The templates. The job recall. Not that > there are no things to be fixed in Qimage as well. I have > quite a list meanwhile but my goodwill with Mike must have > been lost in time. The mailing list is a good source for > advice though. > > -- > Met vriendelijke groeten, Ernst > > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) | >
Message
[Digital BW] Re: Qimage
2008-10-22 by Gary Gervin
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