mantinieri wrote: > But if you are a fine-art collector willing to invest hundred of thousand of dollars in a print, would you put your investment in an inkjet print? > Ah. Fear, uncertainty, and doubt (FUD) as a marketing technique. Quaint. I reject your premise. Very few photographs of any kind are selling in the $100,000+ USD range. Those that are, are bought for their unique qualities, from beauty, to historical importance, to rarity. Prints in this range don't sell because of the printing techniques. They don't. Any of the AIPAD dealers (some of whom sell photography in this price range) will confirm this. Personally, I've bought a number of prints, from silver gelatin to dye transfer to inkjet. One of my favorites is a beautiful IRIS print that I bought for $225 CA. I was this Toronto artist's first ever print sale. This was at least 15 years ago and the print still looks like it was printed yesterday. Everything I've read about the early IRIS dye prints indicates that the print should have faded into oblivion years ago. It would have been a bargain at twice the price even if it had. At my level people don't "invest" in art. They buy art because it brings them pleasure. Sometimes just the pleasure of creating a collection. Mostly just to enjoy art on their walls. Even at this level people rarely ask about the printing technique. People buy art for all kinds of reasons. But FUD isn't one of them. -- Bruce Watson
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Re: [Digital BW] Re: Archivability of Epson luster/semi-gloss paper?
2008-11-05 by Bruce Watson
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