Clayton, I didn't think "gator board" was archival or even acid free or that matter. I'm not that familiar with it, perhaps there are some varieties that are considered archival; I'll have to do some research on it! Randy --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Clayton Price <clay@...> wrote: > > Hi All - > Just a few words about mounting - > Within my knowledge, all of the sprays have some sort of lacquer or > shellac base. There are newer compounds for spraying, but they > mostly will behave the same way when exposed to heat. So if one is > serious about dry mounting with a Seal or similar press, > you should never spray the print first. Aside from that, there > probably is not a lab in NYC (where I live) that still mounts prints > with heat. > There are some very safe cold mounting processes, and they very often > mount on archival "gator board". For large prints there's > a chrome roller unit that squeezes the print, tissue (which is 100% > archival) and the gater board together. For one of my clients, > I'll regularly have glossy inkjet prints (and occasional "C" > prints) around 60 X 48 inches mounted on 3/16 inch gator bd, which are > then framed by the client. BTW, Gator Board comes in thicker > versions, as well. > For small prints one can do it yourself with a paint-on solution and > a roller, but you'll have to research for the most archival of those! > > Hope this helps. > Clay Price >
Message
Re: Keeping big prints flat in the frame.
2009-01-25 by Randy Rancier
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